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Rupali Ganguly touches veteran journo’s feet at event, fans react

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Actor Rupali Ganguly is winning hearts on the internet after a video of her from an event surfaced online. At Expandable Awards, the Anupamaa star seemingly handed over an award to veteran journalist Chaitanya Padukone. After giving him the award, she touched his feet and reminded fans of her reel character. Also read: Rupali Ganguly and Shehnaaz Gill take to the dance floor at a wedding

At the event, Rupali wore a purple shimmery saree. In the video, she bent down to touch the journalist’s feet and sought his blessings. In response, Chaitanya looked overwhelmed. The video has been shared by a paparazzi account.

Reacting to it, a user wrote in the comment section, “Rupali is very down to earth. Success has not changed her because her upbringing was in Anil Ganguly’s house .. such an amazing director .. full of positivity. I have seen all his movies in my growing up days and it all starts from there for sure.” “Ise bolte hain Asli Sanskaar (this is called true culture),” added another one

Someone else also commented, “That’s why Rupali mam is so successful and well known, down to earth and never leave her root.” In the comment section, director Ram Kamal Mukherjee called Rupali ‘grace.’

Rupali started her acting career as a child artist and later, as a lead, rose to fame as Monisha Sarabhai in the TV Show Sarabhai vs Sarabhai, which also starred Ratna Pathak Shah. She went on to star in TV shows like Baa Bahoo Aur Baby and Parvarrish – Kuchh Khattee Kuchh Meethi.

Currently, Rupali is playing the lead role of a Gujarati homemaker, Anupamaa on the television show Anupamaa. It airs on Star Plus and is among the most popular serials. Talking about the show, Rupali recently expressed her opinions on fans complaining about her lengthy monologues in the show.

She told Pinkvilla, “Fans ki baatein sar aankhon par (I will always keep my fans’ concerns at the top). My makers know very well what they are trying to convey through Anupamaa. Whatever his (producer Rajan Shahi’s) vision, I will try and do it with my utmost conviction and portray whatever he has visualised for Anupamaa to do. I will do it with my utmost capability and abilities.”

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Against the Tide review: Men at crossroads in Mumbai’s Koli fishing community

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In a scene from Sarvnik Kaur’s Against the Tide, the only Indian documentary that premiered at Sundance Film Festival this year, a fisherman from the Koli community in Mumbai, named Rakesh, faces an extremely violent storm as he makes his way ahead. In this weather, there are far more chances of catching fish, he knows. Its a stark, wordless scene shot from behind- as Rakesh pulls his swaying boat ahead. In more ways than one, this scene combines the danger and faith that lies at the heart of this fragile, expansive film.

Rakesh is not the only one that Kaur is interested in. Her focus also shifts towards Ganesh, who has a larger boat and uses the modern fishing technology of using LED lights to catch fish. He has studied in Scotland, and has newer ideas. Rakesh, on the other hand, adheres to the fishing traditions that he had learnt from his father, and catches small amounts of fish near the dock, in the shallow waters. He will give into the allure of catching fish using a different, illegal technology, that will certainly harm the sea. Both Rakesh and Ganesh belong to the indigenous Koli community of Mumbai, and also happen to be friends. With shifting circumstances forcing them to confront their assumptions and lifestyles, Rakesh and Ganesh struggle to maintain their friendship.

The first component of Against the Tide that quickly settles in is the invisible lens that hovers around the lives of both these men. This is not a documentary where there are people who are speaking to the camera directly, and explaining their perspective. Neither Rakesh nor Ganesh are provided that structure of exposition- as Kaur fashions the film like a piece of narrative fiction; it almost blurs the lines between documentary and independent feature. This takes time to sink in, as there are scenes when the conversations tether around the edges of uncomfortable truths and realizations. Does the camera simply watch them as their friendship turns sour? Yet, Kaur never gives in, and aided with cinematographer Ashok Meena, lets the camera observe the two men from a paradoxical distance. The effect perplexes and illuminates, as the line between what is ‘real’ and what is partially ‘staged,’ becomes inevitable.

The cinéma vérité approach of Against the Tide (for which it won Special Jury Award for Verite Filmmaking at Sundance), examines the relationship between two men as a microcosm to expand on the larger unspoken evils that they cannot bridge- between tradition and modernity, the power dynamics built by the imbalance of class, and the inescapable structures of the Indian household. Only then does one realize why it works. Against the Tide is not interested in the skills and processes used for fishing- and this choice works to a perplexing degree of truthfulness. There is no gorgeous underwater sequences to romanticize the process. At most times, when Rakesh pulls in the net, there’s a ton of waste from which he has to manually pick the fish and throw away the rest. The work demands double the effort and patience, so where is the time for fooling oneself in seeing the beauty in it? Rakesh’s standpoint is enough to hint his concerns for a world headed towards the bitter reality of climate change. Kaur makes time to show how he preserves some amount of his home made food for the crows that settle on his roof, even on a harsh day of rainfall.

Against the Tide is stark and unrelenting in its transparency of a country where there is no language in expressing how the socio-economic divide has slowly eroded a community at large. The grievances of the Koli community alone is reflected in the later scenes when Rakesh will have to make a tough choice for the sake of his family. The editing by Atanas Georgiev and Blagoja Nedelkovski are effective in creating a specificity in the 97 minutes of screentime, even as Kaur never operates towards a grand resolution or payoff. In her film, neither of the men are villains. The bristle, cold tone might be frustrating to some, but is necessary to stay afloat in the harsh, unforgiving tide of capitalism.

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Nick Jonas’ emotional speech for Priyanka Chopra Jonas and his daughter Malti was lovely; read here

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Nick Jonas and Priyanka Chopra Jonas have had a whirlwind romance of sorts. Their wedding was right out of a fairytale and the two have never shied away from PDA on their official social media platforms too. The Jonas Brothers were felicitated with a star at the Hollywood Walk Of Fame recently and it is his speech that made everyone emotional.

The entire family was present, Nick was supported by Priyanka who came with her daughter and the pictures went viral in no time. Kevin Jonas was accompanied by Danielle and their two daughters. Sophie Turner was present too for her husband Joe Jonas. As quoted on a leading entertainment portal, Nick won over the audience with his beautiful speech for his wife, actor Priyanka, and their beautiful daughter Malti Marie Chopra Jonas.

Nick and priyanka

He said, “To my beautiful wife, you are the calm in the crazy, the rock in the storm and I love being married to you. It is the greatest gift. And I love being a parent with you, so Malti Marie, ‘Hi, babe.’ I can’t wait to come back here with you in 15 years and embarrass you in front of your friends.”

Priyanka was seen brimming with love and joy with their daughter looking as cute as ever sitting on her lap.

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Sameera Reddy recalls eating one idli a day to make sure she did not gain weight | Bollywood

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Actor Sameera Reddy has recalled eating one idli a day, during the early days of her career, to make sure she didn’t gain weight. In a new interview, Sameera also revealed that she was asked to ‘get a boob job done’. The actor also spoke about ‘slipping into a very bad, dark space’ after childbirth. (Also Read | Sameera Reddy shares pics from when she was going through postpartum stress)

Sameera married Akshai Varde in January 2014. They have a son, Hans Varde, and a daughter, Nyra Varde. Sameera made her Bollywood debut with Maine Dil Tujhko Diya opposite Sohail Khan in 2002. Directed by Sohail, the film also featured Sanjay Dutt, Kabir Bedi, and Dalip Tahil.

In an interview with Mid-day, Sameera said that she would ‘starve herself and have one idli a day and ensured she did not gain weight’. She said, “I think there was a crazy phase about 10 years ago where everybody was getting plastic surgery, boob job, change nose or bone structure. I had to always pad my chest and was told to get a boob job done. Many times, I would think, ‘Should I? Is this the norm?’ because it was so openly spoken about and as an actor I questioned if I had to do it. But I didn’t and I am so grateful to God I didn’t because today I wouldn’t have been comfortable about it.”

She also talked about her journey of accepting herself, “I think it began when I didn’t have anybody who was guiding me though one of my major breakdowns, which happened postpartum. I remember slipping into a very bad, dark space about my body, my career, about being perceived as successful or how fast I could bounce back after motherhood and I cracked. I actually hid inside the house and I didn’t talk to anybody.”

Sameera is best known for starring in films such as Darna Mana Hai (2003), Musafir (2004), Jai Chiranjeeva (2005), Taxi Number 9211 (2006), Ashok (2006), Race (2008), Varanam Aayiram (2008), De Dana Dan (2009), Aakrosh (2010), Vettai (2012) and Tezz (2012).

Fans saw her last in Varadhanayaka (2013), a Kannada-language film by Ayyappa P Sharma. It also stars Kiccha Sudeep, Chiranjeevi Sarja, and Nikesha Patel.

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